ABOUT the artists
IOANA TACHE, VIOLIN
Ioana Tache is a violinist and passionate chamber musician. She has been performing in Australia since 2013 with various ensembles. She has had the privilege of learning from and performing alongside some of the most extraordinary musicians this country has to offer. She is thankful for the ways in which each one of them has shaped the musician that she is. Ioana returns to the stage at Tempo Rubato this December, after spending the last year beginning to discover the magic of life as a mother. This new chapter in her life brings a greater and deeper sense of meaning and purpose to her craft and she is incredibly excited to discover it in the practice room and on stage, with her audience.
DAVID BERLIN, CELLO
David Berlin studied the cello with Lois Simpson at the Sydney Conservatorium and with Channing Robbins at the Juilliard School of Music in New York.For over 25 years David has been at the forefront of music performance in Australia, as Principal Cello of both the Adelaide Symphony Orchestra (1985-1988) and the Melbourne Symphony Orchestra (since 1989).
David has made numerous appearances as soloist with these and other Australian orchestras and has been invited to play guest Principal Cello with the Sydney and Tasmanian Symphony orchestras, Australian Chamber Orchestra and the Australian World Orchestra.In London in 1992, David gave the world premiere performance of the complete works for cello and piano by Franz Liszt, with Leslie Howard.
David has performed chamber music with violinists Kolja Blacher, James Ehnes, Nigel Kennedy, and Sarah Chang and pianists Garrick Ohlsson, Emanuel Ax and Yefim Bronfman, as well as tenor Ian Bostridge. He has appeared in numerous festivals, and in chamber music projects has toured to Japan, Taiwan and New Zealand.
Along with solo recordings for ABC radio he has appeared as soloist on the Tall Poppies, Chandos and Naxos labels. His recital disc Barber & Debussy with pianist Len Vorster on the Tall Poppies label was nominated by James McCarthy as one of the best classical CDs of 2011 in Limelight magazine.
David plays on a cello made by Ivan Zgradic in Sherman Oaks, California in 1982.
BENJAMIN MARTIN, PIANO
Identified by Newsday NY as an 'Excellent craftsman', The New York Times as 'Distinctive, arresting in style' and The Australian in 2000 as ‘The best young talent for the new millennium’, pianist/composer Benjamin Martin has become known as an artist of exceptional versatility and subtlety of expression. A child-prodigy, Benjamin aged thirteen memorized Schumann's Carnaval in two days, and by the age of eighteen had a repertoire of some two-hundred and fifty works plus twenty-five concertos.
A graduate of the Juilliard School where he was a student of John Browning, Benjamin has received numerous awards including the Queen Elizabeth Grant, first prize in the Hepzibah Menuhin Memorial Award, The Marten Bequest Scholarship and two scholarships to the Tanglewood Summer Festival (as a pianist in 1987 and composer in 1988), where he was first introduced to Leonard Bernstein. His teachers have included Alexander Semetsky, Maria Clodes-Jaguaribe, Stephen McIntyre and Dorothy Taubman.
He has concertised throughout Australia and toured the United States, Europe and Asia, performing solo and duo-performances with artists including Alina Ibragimova, Joshua Bell, Pekka Kuusisto, Richard Tognetti, Dimitri Berlinsky, Raphael and Elizabeth Wallfisch, Janice Martin, Steven Davislim, Boris Baraz, Eiji Oue and the Utrecht Quartet. Benjamin has also given numerous Premieres including the New York Premiere of Two Pianos by Morton Gould (associate artist M.Herskowitz) and Brett Dean’s Elegy (with cellist Emma-Jane Murphy). In 2013 he performed with Barry Humphries and the ACO in a national tour.
Benjamin has developed a life-long interest in conceptual arguments formed often - but not exclusively - upon musically-related and interrelated ideas, which he regards as a natural extension of his performance and composing activities. As a result of this skill he is often consulted in matters pertaining to musical discourse, which extend beyond traditional boundaries of thought. Similarly, teaching and chamber-music is no less an important extension of one's musical activities, hence why Benjamin has always been a dedicated teacher at The University of Melbourne Music Faculty and pianist for Firebird Trio.
Benjamin is a critically acclaimed recording-artist and also appears in a film titled 'Memories of John Browning'. His discography includes three CD's with the great German violist Hartmut Lindemann for Tacet Records and releases with Bis and Chandos. He has made a series of three recordings with Melba Recordings. Of his recently released debut solo CD In the Wake of the Great War - featuring 20th century English music - Barry Tuckwell wrote 'I was knocked out by Benjamin Martin's recording. Sensational playing and an imaginative program', while The Bax Society Website's Richard Adams wrote of Martin's Bax Third and Bridge Sonatas 'compelling, volatile, and shattering'.